Abstract


Ulusal Dönüşümün Sembolik Bir Figürü Olarak Suriyeli Mültecilerin Alman Çocuk Yazınındaki Tasvirleri

Son yıllarda, Suriyeli mülteci krizinin küresel çapta derin etkileri olmuş ve Almanya, yerinden edilmiş bireyler ve sığınma arayan aileler için birincil varış noktalarından biri olarak ortaya çıkmıştır. Bu ortamda çocuk yazını, özellikle genç okurlar arasında mültecilere yönelik algıları şekillendirmek ve empatiyi teşvik etmek için çok önemli bir araç konumuna gelmiştir. Bu araştırmanın amacı, Alman çocuk yazınında Suriyeli mültecilerin tasvirini eleştirel bir şekilde incelemek ve ulusal dönüşümün sembolik figürleri olarak temsil edilmelerine odaklanmaktır. Alman çocuk yazınında Suriyeli mültecilerin tasviri, genç okuyucuları göçün zorlukları hakkında eğitmek; empati, hoşgörü ve kapsayıcılığı teşvik etmek için önemli bir araç olarak hizmet etmektedir. Bu kapsamda araştırma, Almanya’daki Suriyeli mültecilerin deneyimlerine odaklanan çocuk kitaplarına ulusötesi, kültürlerarası ve dilötesi bir bakış açısı sunmakta ve bu türde kullanılan temaları, anlatıları ve pedagojik yaklaşımları incelemektedir. Nitel olarak desenlenen bu çalışmada, Ursel Scheffler’in “Zafira - Ein mädchen aus Syrien”; Peter Hartling’in “Djadi, Flüchtlingsjunge”; Katrin Holle’nin “Amani, sieh nicht zurück!”; Paul Maar’ın “Neben mir ist noch platz”; Uticha Marmon’un “Mein Freund Salim”; Kathrin Rohmann’ın “Apfelkuchen und Baklava” adlı öyküleri, belge incelemesi yöntemiyle analiz edilmiştir. Araştırma, günümüzün insani krizlerinden biri olan mültecilik bağlamında, yazınsal unsurların eleştirel analizi yoluyla, çocuk yazınlarının empatiyi ve kültürlerarası diyaloğu teşvik etmesi ile kalıp yargılara meydan okuması amaçlarının ön plana çıkarılması açısından önem arz etmektedir.



Keywords

Alman çocuk yazını, dilötesilik, kültürlerarasılık, Suriyeli mülteciler, ulusötesicilik.


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